Much of the imagery in Amata paintings is based on the designs
first used by artists in their 'punu' or wood carvings.
The punu, decorated with linear burn marks in repetitive
curves, continue to be produced by the Amata people.
Queenie Adamson
Born: c1942 (deceased 2003)
Language: Pitjantjatjara
Birthplace: Ernabella, South Australia
Queenie Adamson began painting for Minymaku Arts in mid 2002.
Already an excellent hunter, basket maker and wood carver, Queenie
took to painting with remarkable ease. Her knowledge of the
Tjukurrpa (stories) of the area was prolific and even though
she was in her early sixties when she started painting she was
considered an emerging artist.
Her career as a professional painter was brief, but in this
short time Queenies individual style progressed quickly.
Just before she died her contemporary images were beginning
to receive considerable attention from galleries and private
buyers alike. She was a highly respected elder and painter.
Exhibitions
Kapi Wala Nganampa - Our water holes, On Shore Art, Newtown,
Geelong, June 2003
Nganampa Tjukula - Our rock holes, Helen Maxwell Gallery,
Canberra, March 2003
Desert Mob, Araluen Galleries, Alice Springs, 2002
Awards
Tandanya/Arts SA Aboriginal Artists Fellowship Award,
December 2002
Mandy Adamson
Born: 1960
Language Pitjantjatjara
Birthplace: Ernabella, South Australia
Mandy has only been painting at Minymaku Arts since late
2002. She is a young and emerging artist who demonstrates
great skill.
Her mother was Queenie Adamson, a highly respected elder
and painter (see previous entry). |
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Katanari Tjilya Burton
Born c1939
Location: Amata
Language: Pitjantjatjara,Yankunytjatjara
Katanari is from Tjurma Homelands and paints with Tjurma
Arts and Crafts centre as well as the women at Minymaku
Arts. She has been a practicing artist for many years
and is always experimenting with ideas and traditional
stories from her dreamtime. |
|
She has been working on a series of abstract images since the
start of 2003 which are a departure from her more decorative
style. These are based on the shape of the wira (small
bowl) to produce a design or walka (concentric circles).
Anangu Pitjantjatjara people traditionally burnt this
design onto punu or wood carvings. The wira, a
small cup-like digging bowl, was used by the women to dig for
water or bush tucker.
Exhibitions:
Mina Wala - fresh, like water from a spring, Araluen
Galleries, Alice Springs, December 2002
Irititja Munu Kuwaritja Tjukurpa (Stories from the past and
present) Tandanya, Adelaide, June 2000
Beyond Batik - a joint exhibition
Paniny Mick
Born c1939
Language: Pitjantjatjara
Birthplace: Rocket Bore, near Mulga Park, NT
Dreaming: Malu - kangaroo
Paniny is a respected senior Amata woman who paints for
Minymaku Arts. She came to Amata from Rock Bore (in the
Northern Territory) when she was a young girl with her
parents, her elder brother Marla, and sisters Yariyji
and Maringa. |
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Paniny has worked as a teachers aid with the pre-school
children and as a representative on the Womens Council.
Paniny started her artistic career around five years ago creating
batik at the Tjurma Arts and Crafts Centre, and then took up
painting when Minymaku Arts was established in late 1999. Since
then Paniny has become one of the centre's most highly regarded
artists.
Exhibitions
Nganampa Tjukula - Our rock holes, Helen Maxwell Gallery,
Canberra, March 2003
Mina Wala- fresh, like water from a spring, Araluen Galleries,
Alice Springs, December 2002
Desert Mob, Araluen Galleries, Alice Springs, September 2002
Awards
Tandanya/Arts SA Aboriginal Artists Fellowship Award,
December 2002
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